My Reasons to Switch to Capture One

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There is no question that Lightroom is the most popular RAW-converter on the market: it’s quite comfortable, cheap and easy to learn.
The problem is that many photographers are not aware of the number of opportunities, which they are missing with Lightroom and other basic RAW-converters.

RAW-converter is just a photography gear like a camera or a lens. It would be weird to hold on to a cheap 18-200mm lens and never look for anything better.
Meanwhile, this is what’s happening with some RAW software users: they’re stuck on the first step of the great RAW-processing discovery.

In this article, I’ll show you the reasons for my choosing Capture One, after almost a 10-year experience with different RAW-converters.
If you’re totally fine with Lightroom, well, good for you.
But if you feel, that there is something missing, that there should be a better way to deal with RAW format; if you’re looking for something more – this article will help you to find a new gear which will work for you.

10. Color

Yoshiki Hayashi at concert. Image by Alexander Svet, processed in Capture One only.

Yoshiki Hayashi at concert. Image by Alexander Svet, processed in Capture One only.

Actually, that should be the reason number one since for many professionals realistic and clear color “rendering” in Capture One is the primary cause for switching.
On the other hand, color is always quite a subjective matter, and that is why it’s meaningless to argue about that.

But there are a few objective reasons, why Capture One deals with color better, than any other software.

First of all, it uses unique color profiles designed for each particular camera model.

For some cameras, there are even two or more color profiles for different shooting conditions.

For some cameras, there are even two or more color profiles for different shooting conditions.

These particular profiles develop that accurate, precise and realistic color in Capture One. If you wish, you could also edit them and save them as your custom color profiles.

You may find more information about basic rendering principles in our article “Capture One: An Overview of the Rendering Pipeline”.

Second reason is not quite evident, but crucial. Phase One, Capture One developer, is not just a software company.
Their main business is to produce hi-end digital backs and medium format cameras; they are also developing professional solutions for aerial and cultural heritage photography.

PhaseOne.com

PhaseOne.com

High-quality image processing algorithms in Capture One are a logical result of their many years of experience in that field.

Third reason is not about color itself, but about the primary rendering of the image in general.
In Capture One, at the very first stage of image rendering, you can choose the type of Base Curve, which will affect the image and it may give you a mass of editing possibilities.

For example, with Linear Base Curve you will get the “real” RAW image, almost without any initial corrections, which all the popular RAW converters do without your permission.

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At the first glance, the image with Linear Curve may look quite ugly, but behind that you’ll find some amazing RAW editing capabilities.

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If you’re looking for something more than a simple contrast and exposure sliders – it’s a great place to start.

9. Customizable everything

One of the main advantages of Capture One workflow is that you can customize almost anything:

A) Reorganize and resize each workspace element.

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B) Put any tool in any place on the screen or duplicate tools and create custom tool tabs.
By the way, it’s a really useful feature to deal with Red, Green and Blue channel Curves.

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C) Set a custom default settings for all the main tools for one particular camera model.
For example, if you have a few different cameras you can set default Sharpening and Noise Reduction settings for each camera.

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D) Edit keyboard shortcuts.

Here is my short video about main features of custom workspaces in Capture One:

8. Image organizing

What I truly like in Capture One’s image organizing approach is that it gives you a choice.

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There are three alternative ways to work with your files:

A) Open files directly on your hard drive, without import or any additional action.
Simply open a folder and you’re ready to work.

B) Create a new session for every new shooting.
Best suited for commercial photographers with project-based workflow. That way, you will have all the images that are related to a particular shooting in one place.

C) Organize images in Catalogs.
Capture One Catalogs have all the popular DAM (Digital Asset Management) features: ordered structure with folders and projects, albums & smart albums, searching filters, keywords. You may also decide where to store RAW files – inside Catalog or in any other place.

If you have tried Capture One 7 and weren’t satisfied with its catalog features – it’s definitely worth to give Capture One 9 a second chance. Since the first release of Catalog in Capture One 7 a bunch of features have been changed and improved. Now we have great Keyword Libraries, Folder Synchronization, Dynamic Locations and much more.

But it is still the same Capture One Catalog with an approach to image organizing that is different from Lightroom’s. In the same way, as Mac is different from Windows. Take your time to get used to it and let it work for you.

7. Different processing recipes

In Capture One, you can easily create custom processing recipes and convert images into different formats with one click.

Let’s take the most common case: processing images into Full-size JPG, Tiff, and small-size JPG for the web.

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We’ve created three recipes with different formats, sizes, quality and embedded metadata settings. Now you can convert all the files to different formats and locations with just one click.

By the way, here is another example of how you can automate processing using tokens:

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With that set of tokens, Capture One will create new folders with dates when images were taken. Inside each folder, it will create folders by image ratings and inside them – by format names.

In my case it looks like this:

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Again – all that folder structure will be generated automatically for any new process with only one click. And you have dozens of tokens to choose from and to create unique processing paths.

6. Tethered shooting with Capture One

© Grant Friedman / PhaseOne.com

© Grant Friedman / PhaseOne.com

If you work a lot in a studio on portrait, commercial or product photography – tethered shooting software is one of your main tools.
In modern photography tethered shooting isn’t a new fancy feature anymore, it’s a professional work standard.

And in this area, there are no competitors to Capture One. The reason is that Capture One provides all the features, which you may need for tethered shooting and even more.

A) Full control over the camera settings and image adjustments

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You can change almost all the camera settings directly in Capture One: starting from aperture, shutter speed and ISO to focusing, synchronization, bracketing and dozens of other camera settings.
It allows you, literally, to not touch the camera during the shooting. Unfortunately, Capture One can’t move your camera and product in the frame, yet. But perhaps in the bright future, special photography robots will surely help us with that; today, however, we still have to use human assistants.

You can also decide which adjustments will be applied to the next captured image. They could be adjustments from any previous image or from saved presets.
Actually, this is one of my favorite features, because my clients will never see “raw” image during the shooting. Each new image shows up immediately with the right color, Curves, and exposure corrections.

B) Great composition features

PhaseOne.com

PhaseOne.com

Live view – allows you to see “live” picture from your camera, to set composition and focus.

Composition mode – while this option is on, only the last captured image will be saved on your drive. Excellent feature for the pre-shooting tests.

Overlay – adds any picture over the main image. It’s really convenient when your image should fit a specific design layout.

C) Remote camera control

Phase One

Phase One

With Capture One Pilot app you can control your camera from any iOS device. For example, you may connect your iPad over Wi-Fi to your laptop with Capture One and fully control your camera. Take images, change exposure and quality settings – everything, right from you iOS device.

You can also select images, rate them and set color tags during the shooting. This feature works not only with iOS but with any internet browser on any device.

Here are some videos on how it works:

Using Capture Pilot for iOS and Web

Camera Control

My favorite trick in a commercial session is to connect client’s laptop to my Capture One server and watch the reaction when images start to display on client’s machine.
It really impresses people! And it’s also quite convenient that client may rate best images while you shoot.

Of course, you may find separate applications for each of those tasks, but you’ll never find all of them in one solid and easy-to-use solution on the market.

Now let’s talk about editing possibilities, ‘cause, well, RAW-converter is actually about editing!

5. Levels

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Photographers with a wide Photoshop background are usually quite skeptical about Levels tool. In Photoshop, Levels is truly not the main tool, you can do almost all the same actions in Curves.

In Capture One, Levels is a much more important tool.

The main purpose of Levels is to edit black and white points – if you have a faded image, Levels may improve it dramatically.


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You will also have all the control over Output black and white points, it’s really useful for pre-print editing.

Moreover, Levels has one not so obvious, but absolutely amazing feature which is level corrections of Red, Green and Blue channels.
Have you ever seen an image with a strong color cast, which couldn’t be fixed with any of the regular tools?
Then it’s a turn for the correction of R, G and B channels. With those tools, you can set black and white points for each color channel separately.

In that case, you’ll get the most accurate and correct color, which may completely change your image:

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And the best thing is that Capture One can process it automatically!

Channel level correction allows you to get the true and realistic color at the first RAW-editing stage.
Viewing professional portfolios, have you ever thought: “How did they achieve such a clear color?”. Well, that’s how they do it.
And it’s only one of the tools from Capture One’s armory.

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4. HDR, Color Balance and Clarity

All of these tools, in one form or another, are available on the most popular RAW-converters. The difference is that in Capture One they work much more accurately and smarter.

HDR

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Since its first release in Capture One 6, High Dynamic Range tool was drastically updated several times. Today it provides an amazing quality of Shadows/Highlights zones correction.

Here are some examples: Capture One 9 High Dynamic Range on max and Lightroom CC (2015.5.1) Shadows/Highlights on max for the same images.

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Color Balance

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Color Balance is all about color toning, a great tool to gain some atmosphere or to set the mood for your image.
It works equally well for portraits, landscapes and sometimes even for technical color corrections.

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The main advantage of Capture One’s color toning is that Color Balance works not only with Highlights and Shadows but with Midtones as well. It gives you many more editing possibilities.

By the way, with workspace customizations, you may create a separate tab and place different Color Balance modes on the same screen.

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Clarity

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When I was talking to my colleagues, I noticed that many of them really enjoy Clarity tool, but at the same time, they are a little bit wary of its effects.
The reason is that in most popular RAW-converters Clarity tool is just a single slider without any additional settings.
That’s why sometimes it may work great, or it may ruin your image as well.

In Capture One, Clarity tool has four different modes, and each of them provides a unique effect.
For example, Punch mode works harder and seriously affects color. On the contrary – Natural mode is very accurate with your image and almost doesn’t touch color.

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Capture One’s Clarity tool also has one additional slider – Structure.

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It’s a really useful tool when you’re editing images with stone, wood or any other texture materials.

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3. Local Adjustments and Retouch tools

Local Adjustments is a quite common feature for modern RAW-software, but Capture One’s approach has a number of strong advantages.

First of all – Local Adjustments in Capture One is a separate tool with easy-to-use layer management system.
You can name layers, quickly switch between them, copy and invert layer masks.

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Of course, there are all the regular tools: Brush, Eraser, Gradient, and Auto Mask. You can also set mask’s Opacity, Hardness, and Flow. If you’re working with a pen tablet, there is a pen pressure option available.

But what is really important, is that almost all the Capture One tools are able to work with layers : Curves, Color Editor, White Balance, Exposure, Contrast, Saturation, Brightness, HDR, Clarity, Sharpening and Noise Reduction, Purple Fringing and Moiré.
In practice, that will completely change your editing process: after a few weeks in Capture One, you will think layers.
Layers in Capture One are not an add-on to the main workflow – they are an inseparable part of the workflow.

Another amazing feature is creating masks from Color Editor selection.
In Capture One, you can select any color on the image and create a mask from it in just one click.

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Create a mask of the model’s skin color or clothes, mask the sky on your image – all these tasks will only take a few seconds. No more meticulous work with the brush and eraser.

Yes, that’s how professional gear works – it saves your time.

In Capture One, you will also find excellent tools for image retouching: Heal and Clone layers.
Clone layer works like a Clone Stamp tool in Photoshop, it simply copies the selected area. Heal layer is smarter, it also changes saturation and lightness to blend images more smoothly and accurately.

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With those tools, you can easily remove and replace objects in the frame and perform quite a complex retouch.

2. Curves

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Curves are one of the main tools for professional image editing. It allows you to get the full manual control over image’s contrast and color.

Besides all the common features like per-channel work, Capture One’s Curve tool also has several amazing unique features:

A) Layers support

Curves in Layers open a whole new dimension of image processing possibilities.

First of all – using Curves with masks from Color Editor you would be able to change any color of the image completely:

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The second useful case is a local color correction, it’s absolutely irreplaceable for wedding and portrait photography.

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Third unique feature – black and white points correction in layers. It’s not quite evident, but you can set local black and white points for each layer with Curves.
If you’re a landscape photographer, I’m pretty sure you’ll love this tool.

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B) Luma Curve

RGB Curve correction has some limitations, and the most common problem is that it also affects image saturation.
To avoid that issue, Capture One has created an additional type of Curve called Luma. It affects only luminance of the image and works the same way as L-channel in LAB does.
For example, Luma Curve is an excellent tool to add some contrast to, without ruining image colors.

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C) User-friendly interface

Curve is a considerably complicated tool in itself and it is really important to have a convenient interface to use it.
In Capture One, you can change the size of your Curve tool or create separate tools for each channel:

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And don’t forget to use a handy built-in preset with 5 standard points on the Curve.

1. Color Editor

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Above the great color rendering, Curve and Levels tools stands Color Editor – the main tool for color correction in Capture One.
It’s a real game-changer that makes professional work with color at times easier and faster.

Color Editor allows you to select and to work with any color on the image. What is really convenient is that you may see where on the image the selected color is located.

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For example on that image, I would like to correct shirt’s color hue without affecting the skin tone.

It’s tough because skin and shirt colors are quite close, however, in Capture One, you can easily select only the necessary color.

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But what do you do, when few objects in the frame are absolutely the same in color? Turn on the layers!

Color Editor works great with masks, it allows you to process local color correction of any object in the image.

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Now you see, why I put Color Editor on the first place, it’s a really amazing tool. But it has one more feature that every portrait photographer would love.

Color Editor has a special Skin Tone mode for detailed portrait color correction. In Skin Tone, you can select a color and unify its hue, saturation, and lightness to a chosen color.
In just a few clicks, you can even out a quite problematic skin tone:

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In the end

As you’re reading this article, you might think, that I’m quite blind to limitations of Capture One. This is not true: I totally agree that it would be great to add some sort of History tool and radial gradient to Capture One and to make dozens of other small improvements.

But I have seen how everything was changing. The first time I tried Capture One version 3, it was a completely different application. Year after year, update after update it became better and stronger.
I would understand if you have tried Capture One 6 or 7 and didn’t find enough reasons to switch. 5-6 years ago Capture One’s main advantage was a clear color rendering and tethered shooting capabilities.

Things have changed and after many years of evolution Capture One can beat any other software not only in color but with a mass of unique editing features.
Today there is only one reason not to try a new gear – admit to yourself that you’re accustomed to your old 18-200mm lens.

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Author – Alexander Svet

Alexander Svet – professional photographer and specialist in image processing.
Phase One Certified Professional and Capture One trainer.
CaptureOneBlog.com
 
 
 

Pricing

You can try Capture One Pro 10 for free for 30 days, simply download it from PhaseOne.com.

Capture One 10 Pro license (single user – 3 seats) price is 279 EUR / 299 USD

If you wish to upgrade your Capture One Pro 8/9 license to Capture One 10 it will cost 99 EUR

Save 10% on Capture One 10

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For all the readers of CaptureOneBlog a 10% discount for Capture One Pro 10 license is now available.

It works equally well for a full version of Capture One Pro 10 or an upgrade.

How it works?

1) At Phase One on-line store click “Add to cart” to purchase Capture One Pro 10.
2) At Check Out page enter this special code AMBC1BLOG, select “USE VOUCHER” and you will immediately gain 10% discount.

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For Sony camera owners there are two special versions of Capture One 10:

Capture One 10 Pro For Sony – 50 EUR / USD 50
This is the same Capture One Pro 9, but it works only with Sony RAW files.

Capture One 10 Express For Sony – free!
Express version doesn’t have some nice features like tethered capabilities, masking, local Curves and few others features.
Capture One 9 Express works only with Sony RAW files too. In everything else it’s the same Capture One 9 and it’s absolutely free.

There is also a subscription option available:

Single user – 2 seats 3 months subscription – 19 EUR per month
Single user – 2 seats 12 months subscription – 12 EUR per month

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Create a “film” color in Capture One using all the power of RAW without any special plugins.

Try 5 styles for free.

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Film Styles Set is fully compatible with new Capture One Pro 9.

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About Author

Alexander Svet – Professional photographer and photography instructor. Phase One Certified Professional and Capture One beta tester.

  • Quillback424

    I love Capture One. When I did a comparison of my final image between Lightroom and Capture One, there was a noticeable difference with C1 being the better (of course). I got a Nikon D500 when they first came out in April. C1 couldn’t recognize the D500 file when I plugged in the camera to download the pictures. I downloaded them with Lightroom and then C1 couldn’t see the raw files until last week. That is way too much of a lag, but I wouldn’t bail on C1 for the world. It is really good.

  • Vladimir Frenkel

    Thank you so much Alex. You are a great mentor and scholar and thanks to your classes, I have completely switched to C1 from LR. Pls pls pls, you got to write some literature and /or create informational portal in English with your classes and your explanation of C1 technics. I have managed to help switch some colleagues of mine (native English speakers) from LR to C1 by simply showing your approaches from C1 course. But it is you who should be doing it…not me 🙁 I can’t present material to the end users the way you do it.

    • Thank you, Vladimir! 🙂
      The things are moving! Actually, this article is a précis of my first webinar in English which will be announced soon 🙂

  • seb

    very nice summary with a lot of good tipps. thanks!

  • Valerie Cason

    Thank you for such a compelling and thorough article. I have grown tired of the Adobe CC issues that they do not seem to want to address. When my workflow grinds to a halt right out of the gate with importing new RAW files from a shoot, I had to find a solution. Your article goes a very long way to helping me with my decision to jump ship.

  • Dennis Manske

    There seems to be unlimited training fro LightRoom. On top of that, LR is really quite intuitive. Shooting for a large Dallas production studio as a freelancer, I have been dropped into the Capture One workflow, but find it incredibly not intuitive, and even frustrating. One of the most frustrating parts is, I know this editing software has a crazy amount of great features, but trying to find really good video support/training has proven to be a bit of a challenge. KelbyOne for example just keeps the Adobe world right up to date. What is Capture One doing to educate new and existing users? I have found ‘snippets’ of tutorials in the past, but nothing in depth. Books are nice, but I find learning software from a book to be tedious and ineffective. Cap One 9 came out right after I invested in Cap One 8/8.1. I really should have been credited for 9. So that was a black eye from the start of our relationship. I may still take the plunge again someday. I just don’t feel incentivized to change my entire workflow when 10 might come out a couple months after I make the leap. That is one of the great things about Adobe Cloud. My LR and Photoshop are always up to date, for $9.99 per month. I don’t have speed issues that some talk about.

  • Ed Cobb (Double Shot)

    This seems (mostly) to be a a long list of Capture One features rather than reasons to switch. I read nothing obviously compelling here that would justify the additional cost. Show me the top five compelling reasons/benefits to use capture One.

    • My personal top five:

      1. Color rendering
      2. Color Editor
      3. Layers
      4. Levels&Curves
      5. Customizable workspaces

      • Ed Cobb (Double Shot)

        Thanks Alexander. I’ll review these features closely.

  • Simon

    Hi Alexander,

    I’m just starting out doing my own product photography and need to change backgrounds to pure white. Is there a quick way with Capture One Pro please because i’ve just upgraded and shooting with a Sony a6300. Am watching all the tutorials they have on YouTube and googling away here. Came across your great article and wondered if you could help?

    Many thanks,

    Simon

    • Hi Simon,

      Unfortunately, there is no universal way to achieve this. If you could show sample image, I’ll try to suggest you some processing tricks.

  • Hi Alexander,

    Do you recommend using Media Pro with Capture One, or do you feel that the media management features in Capture One are sufficient?

    Thanks!

    • Hi,

      With latest updates, Capture One received lots of new media management features, and I don’t see reasons to use Media Pro now. If you’re running a huge media archive, you’ll get some benefits from Media Pro, but for most of the tasks, Capture One works well.

  • Adam J McKay

    The radial adjustment tool has become something I use on the regular in lightroom, is there anything like that in Capture One?

  • Shai Yammanee

    Thanks for a great break down of Capture One 9.
    I have been toying with the idea of trying it out again, and I think this has tipped me over the edge.
    I look forward to playing around with a lot to the new features.

    The learning curve looks a little steep (seeing that I know most of Lightroom’s functions by heart now), but the quality of the end result might make it worth the effort.

  • Great article! No doubts about instant quality from C1. I’ve tested it on some raw shots and this difference comes immediately to your eye, but, for an amateur I think it is not so much user friendly, especially on import (I used only C18) phase.
    Can’t import directly from iPhone for example , I know I can before import on a folder an then pass all to C1, but…
    In general the import view is not comparable to Lightroom. Keywording too.